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Semisonic Calls Out White House for Using Closing Time

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Semisonic Responds to Unauthorized Use of ‘Closing Time’ by White House

NEW YORK – Rock band Semisonic has expressed their discontent with the White House’s recent use of their hit song “Closing Time” in a social media post associated with deportations.

The Controversial Video

The video in question showcases shackled deportees being processed at an airport and uses lyrics from “Closing Time,” stating, “You don’t have to go home but you can’t stay here.” This specific usage has drawn criticism from the band.

Semisonic’s Statement

In a statement posted on platform X, the band emphasized, “We did not authorize or condone the White House’s use of our song ‘Closing Time’ in any way. And no, they didn’t ask. The song is about joy and possibilities and hope, and they have missed the point entirely.”

Official Reaction from the White House

When questioned about the situation, White House Press Secretary Karoline Leavitt remarked, “Our entire government clearly is leaning into the message of this president.” This comment reflects an ongoing commitment to the administration’s strong immigration stance.

Background on Recent Deportations

The Trump administration has been under scrutiny following reports of deporting hundreds of Venezuelan migrants to El Salvador, allegedly in defiance of a judge’s order. This judge had temporarily barred such deportations by invoking the Alien Enemies Act of 1798 as part of measures targeting individuals associated with the Venezuelan Tren de Aragua gang.

Ongoing Discontent from Artists

Semisonic’s reaction is not isolated; they join a growing list of artists who have publicly objected to the use of their music in political contexts by the Trump administration. Previous artists include Celine Dion, Bruce Springsteen, and Rihanna, among others.

“Closing Time,” which originally appeared on Semisonic’s 1998 album “Feeling Strangely Fine,” continues to resonate as a cultural touchstone. The track achieved significant commercial success, peaking at No. 4 on Billboard’s Adult Alternative Airplay chart.

As debates over immigration and political messaging continue, the intersection of music, art, and policy remains a complex and often contentious area.

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